The next installment in my historical sewing video series is here!…and long over due!
Today it is all about pattern drafting. Join me as I show you how to take a simple grid pattern or pre-made paper pattern and alter it to fit your desired shape and look.
Close up of pattern grid used:
Images of my 1870’s Plaid and Brown Day gown which the bodice pattern was used….and altered! 😉
Last week, we talked all about my process of creating and designing historical gowns. But that led many to ask:
“How do I get into historical sewing?”
“What if I’m new to sewing? Can I still start?”
And the answer is ABSOLUTELY YES! Join me as I chat about what exactly historical sewing is, some easy beginning patterns and pattern brands to try out, along with tools you will need! ***Hint – you probably already have everything you need! 😉
“Wish I could figure out how to design a gown like that!”
Well, I’ve been listening and have decided to share the process I go through when I design a historical gown. From original inspiration to my next steps, you will learn about what books and patterns I go to first for help along the way!
Let’s get going!
Have another topic you would like me to chat about? Dying to know some of my construction or designing secrets?
Leave a comment below! 🙂
PS: The book I was referring to is Fashion: The Collection from the Kyoto Fashion Institute. 🙂
My goodness but it has been a long time since I’ve last posted. Please know that this is no indication that I am planning on closing or shutting down my blog….not at all! It is simply a reflection of going with the flow of life and my creative juices. But here on this slightly rainy and grey Saturday, I felt like writing and sharing a little of what I am into and planning this spring!
So lets start with some sewing…my favorite thing to talk about! 🙂 I have discovered a secret love of bustle gowns and completed my first just a few months ago! I most definitely feel a little late to the 1880’s party, but oh boy am I here to stay!! I relied heavily on Prior Attire’s Victorian Dressmaking book (link HERE) and have to say I am very pleased with my first attempt.
There comes a time when all business sewing needs to take a pause, and personal sewing needs to take over.
You see, I don’t often sew for myself.
I think the last time I created a gown just for me was at least a year ago. Most of the time, whenever I sew it is either for a client or to sell on my shop. But with a little more free time on my hands (thanks to longer naps by my little one), I wanted to try something new and different. …something for me! 🙂
After thinking about what I wished to create, I decided on an outfit to wear at next year’s French and Indian War Reenactment…in July. The tricky part about making a gown to wear in the summer while it is still winter is the fear that I am going to sweat like crazy! More about that later!
So, as always, whenever I begin a brand new decade or project apart from the norm, I begin with an inspiration board. This is where I gather images of actual gowns, paintings, or pieces of a gown I want to try and incorporate. The problem with this particular gown is I wanted to include WAAAAY to many aspects and techniques, so I had to really cut down.
Here is the inspiration board of this particular project:
I can’t believe we are already at Thanksgiving! While I feel that the summer went by at a normal pace, this fall has simply flew!!
I have been very busy sewing these past days, not only getting ready for Black Friday and Cyber Monday on my shop (click HERE to see all the deals), but also with some fun projects just for the heck of it! One such project, was this 1810’s day gown in such a fun shade of coral-ly pink.
A few weeks ago, The New York State Museum reached out to me to acquire a Bloomer Gown I had created to display in their upcoming exhibit Votes for Women: Celebrating New York’s Suffrage Centennialwhich runs from November 4, 2017- May 13, 2018 in Albany, New York.
I was thrilled and honored to be apart of such a wonderful exhibit and celebration that I thought I would share a some details of not only the gown I made, but also the women who made the outfit popular.
To start with the Bloomer gown, as we know it, was not first worn by Amelia Bloomer but actually by Elizabeth Smith Miller of Geneva, New York. Elizabeth Miller, who advocated for dress reform using the Turkish style of pants, quickly caught the attention and support of Bloomer. With her newspaper, The Lily, which focused on women’s issues, Amelia popularized the look to the point where her name became associated with the gown.
I think I have drained my current pool of patterns. I mean, I love many of them and will always use them…but, I’m am definitely feeling a little bored. Especially with my due date coming closer and closer, I am trying to stay occupied with sewing…it’s sort of working! 🙂
So yesterday, with the warm sun on my face, I spent a little time looking up some new and different patterns to try.
Here are a few of my favorites!!!
Links to the patterns are below each image!
I love the unique and various caps in this particular pattern. Especially the Round Eared Cap with double ruffle!!
I am sure anyone wearing this amazingly beautiful, pleated mantle would feel elegant and very summery! The only thing I’m not sure of is what fabric I would use…..
With a yardage requirement of 16 yards, this gown would definitely be a commitment, but I love all the ruffles and draping! I would also want to use a polka dot fabric just like the sample photo below!
The front draping on this 1930’s dress is amazing! I’m pretty sure I will have to redo it several times until it hangs just right, but its all in a day’s work! 🙂