Below is the second part General Rules of Fashion and Advice by Florence Hartley. This particular section features topics and advice that are truly timeless for women of any century, but especially those looking to create a living history profile. Again, my commentary will be featured underneath each image.
Hope you enjoy!
Style and form of dress
“Be always careful when making up the various parts of your wardrobe, that each article fits you accurately. Not in the outside garments alone must this rule be followed, an ill-fitting pair of corsets, or wrinkles in any other article of the under-clothes, will make a dress set badly, even if it has been itself fitted with the utmost accuracy.”
While the gown construction of this 1850’s gown is correct, the corset is not. You can see the top poke out of the gown creating an awkward and unflattering bustline. Corset alteration must be done to ensure proper fit.
“A stocking which is too large, will make the boot uncomfortably tight, and too small will compress the foot, making the shoe loose and untidy. In a dress, no outlay upon the material will compensate for a badly fitting garment. A cheap calico made to fit the form accurately and easily, will give the wearer a more lady-like air than the richest silk which either wrinkles or is too tightly strained over the figure. Collars or sleeves, pinned over or tightly strained to meet, will entirely mar the effect of the prettiest dress.”
Even this green and blue wrapper, while designed for at home wear, is fit properly in this Le Follet fashion plate.
“And by economy I do not mean mere cheapness. To buy a poor, flimsy fabric merely because the price is low, is extravagance, not economy; still worse if you buy articles because they are offered cheap, when you have no use for them. In purchasing goods for the wardrobe, let each material be the best of its kind. The same amount of sewing that is put into a good material, must be put into a poor one, and, as the latter will very soon wash or wear out, there must be another one to supply its place, purchased and made up, when, by buying a good article at first, this time and labor might have been saved. A good, strong material will be found cheapest in the end, though the actual expenditure of money may be larger at first.”
This 1860’s silk taffeta gown (image from Whitaker Auctions) is a great example of how one investment offers multiple uses and benefits. When purchasing “expensive” fabrics, try and order a yard or two extra. That little bit can create an additional bodice, mantle, or paletot that ,while may cost at the time $50 ,can save your over $600 in the creation of a ballgown or other pieces.
Many ladies have to trace months of severe suffering to an improper disregard of comfort, in preparing their wardrobe, or in exposure after they are dressed. The most exquisite ball costume will never compensate for the injury done by tight lacing, the prettiest foot is dearly paid for by the pain a tight boot entails, and the most graceful effects will not prevent suffering from exposure to cold. A light ball dress and exquisite arrangement of the hair, too often make the wearer dare the inclemency of the coldest night, by wearing a light shawl or hood, to prevent crushing delicate lace or flowers. Make it a fixed rule to have the head, feet, and chest well protected when going to a party, even at the risk of a crushed flower or a stray curl. Many a fair head has been laid in a coffin, a victim to consumption, from rashly venturing out of a heated ball room, flushed and excited, with only a light protection against keen night air. The excitement of the occasion may prevent immediate discomfort in such cases, but it adds to the subsequent danger.
While I’m hoping you all can avoid being a “victim of consumption”, there is some truth in being aware of the weather and what you are wearing. As many events are in the warmer months of the year, I would encourage thought and care taken when purchasing fabrics. Think breathability, movability, and comfort if you plan to be outside in the summer heat. The above fashion plate, shows a variety of styles for various ages and weather.
Be careful always that the details of your dress are perfectly finished in every point. The small articles of a wardrobe require constant care to keep in perfect order, yet they will wofully revenge themselves if neglected. Let the collar, handkerchief, boots, gloves, and belts be always whole, neat, and adapted to the dress. A lace collar will look as badly over a chintz dress, as a linen one would with velvet, though each may be perfect of its kind. Attention to these minor points are sure tests of taste in a lady’s dress. A shabby or ill fitting boot or glove will ruin the most elaborate walking dress, while one of much plainer make and coarser fabric will be becoming and lady-like, if all the details are accurately fitted, clean, and well put on. In arranging a dress for every occasion, be careful that there is no missing string, hook, or button, that the folds hang well, and that every part is even and properly adjusted. Let the skirts hang smoothly, the outside ones being always about an inch longer than the under ones; let the dress set smoothly, carefully hooked or buttoned; let the collar fit neatly, and be fastened firmly and smoothly at the throat; let shoes and stockings be whole, clean, and fit nicely; let the hair be smooth and glossy, the skin pure, and the colors and fabric of your dress harmonize and be suitable for the occasion, and you will always appear both lady-like and well-dressed.
This lady’s entire ensemble is tailored, well fitted, accessorized beautifully, and is a classic example of the above advice in action.
Hartley, Florence. The Ladies’ Book of Etiquette and Manual of Politeness. 1860. G.W. Cottrell Publisher. Boston